Art of Falconry

Before the discovery of oil, the sea was the Gulf’s greatest wealth. Each summer, fleets of wooden dhows sailed out into the turquoise waters, their crews diving deep on a single breath, armed only with a nose clip, a stone weight, and a rope. They returned to the surface clutching oysters, hoping for the prize within pearls so perfect they adorned the crowns of kings and captivated the luxury markets of India and Europe.

In 1908, the British government quietly commissioned a vast and meticulous record of the Arabian Gulf and surrounding regions. Compiled by John Gordon Lorimer, a senior political officer in the Indian Civil Service, The Gazetteer of the Persian Gulf, Oman and Central Arabia became one of the most extraordinary works of intelligence ever produced by a colonial administration.

In the winter of 1883, German epigraphist Julius Euting and French-Alsatian geographer Charles Huber departed Damascus on a perilous journey into the heart of northern Arabia. Their mission: to uncover ancient inscriptions and reveal the region’s forgotten history.

Across the Islamic world, artistry is not only preserved—it continues to evolve. From the rhythmic tapping of stone carvers in Rajasthan to the delicate calligraphy of Istanbul’s masters, from Cairo’s woodworkers to the skilled embroiderers of Makkah, crafts that have shaped homes, mosques, and cities for centuries are still vibrant today.

In the vast deserts of Arabia, where landscapes appear austere and endless, Bedouin women have for centuries created beauty from the simplest of materials. Using the wool of their camels, sheep, and goats, they wove vibrant textiles—bold geometric designs in deep reds, blacks, and whites—that adorned tents, protected families from the elements, and carried symbolic meaning.

In the vast deserts of Arabia, where landscapes appear austere and endless, Bedouin women have for centuries created beauty from the simplest of materials. Using the wool of their camels, sheep, and goats, they wove vibrant textiles—bold geometric designs in deep reds, blacks, and whites—that adorned tents, protected families from the elements, and carried symbolic meaning.